Related Searches: Kusadasi, ephesus, istanbul hotels, Turkey travel, Pamukkale, Cappadocia, Greek Mythology, greece islands, travel insurance, travel quotes credit, travel reviews, travel deals, plane tickets rates, holiday loans

Istanbul Archaeological Museums

11:22 pm
Istanbul Museums

istanbul archaeological museums, istanbul museums, ancient museum

The Istanbul Archaeological Museums, a museum affiliated to the Ministry of Culture and Tourism, is located in Istanbul’s Sultanahmet neighborhood, on the Osman Hamdi Bey slope connecting the Gülhane Park with the Topkapı Palace. Its name is plural, since there are three different museums under the same administration: The Archaeological Museum, the Ancient Orient Museum (Eski Şark Eserleri Müzesi) and Tiled Kiosk Museum (Çinili Köşk Müzesi).

  • During an Istanbul Archaeological Museums tour, it is possible to visit the extraordinarily beautiful garden of the museum and the three different buildings inside this garden.
  • The Istanbul Archaeological Museums, which is housing various artifacts from civilizations that had left their traces to different periods of the history, is one of the 10 most important world-class museums designed and used as a museum building. Additionally, it is the first institution in Turkey arranged as a museum. Besides its spectacular collections, the architectural aspects of its buildings and its garden are of historical and natural importance.
  • The Istanbul Archaeological Museums is welcoming all visitors who want to make a journey in the corridors of the history and to trace the remains of ancient civilizations.

THE ARCHAEOLOGICAL MUSEUM and THE NEW BUILDING

After its opening on June 13, 1891, the Archaeological Museum expanded its collection rapidly. Currently, on the ground floor of the Archaeological Museum, sculptures from the Ancient Age from the Archaic Era to the Roman Era may be seen on the right side, and world wide famous unique artifacts such as the Alexander Sarcophagus, the Sarcophagus of Crying Women and the Sarcophagus of Tabnit that came from the Royal Necropolis in Sidon on the left side. On the upper floor of the two-storey building, there are the Treasury section, the Non-Islamic and Islamic Coin Cabinets and the Library.

The “Surrounding Cultures of Istanbul” section, which was opened in the cellar of the new building in 1998, is a hall where artifacts from various ages found during excavations at the surrounding archaeological sites and tumuli. It has sub-sections of “Thrace-Bithynia and Byzantium”. The ground floor of the new building hosts the “Children’s Museum” exhibition.The “Istanbul Through the Ages” collection is exhibited on the first floor of the new building, the “Anatolia and Troy Through the Ages” collection on the second floor and the “Surrounding Cultures of Anatolia: Artifacts from Syria, Palestine and Cyprus” collection on the third floor, in chronological order.ARCHAEOLOGICAL MUSEUM ARTIFACTS

HEAD OF ALEXANDER THE GREAT

head of alexander the great

head of alexander the great, archaeogical musem, istanbul museums

When the Macedon king Alexander the Great, who lived between 356 and 323 BC, ascended to the throne, he was not even twenty. The legendary commander, who died at the age of 33, has never been forgotten during the twenty-three centuries passed since then, thanks to his glorious and great conquests during a short period of kingdom. He overthrew the Persian Empire and established a great empire extending from Macedonia to India. The cities founded by Alexander, who spent most of his life in Asia, as military bases turned into cultural and commercial centers later and played an important role in the spread of the Ancient Greek culture up to India.

The era of Alexander the Great, of which artistic influences can be followed as well, was a transition period between the periods of Classical Art and Hellenistic Art.

The Head of Alexander the Great, dated to the 2nd century BC, was found during excavations at the Lower Agora in Pergamon (Bergama).

His head is inclined towards his shoulder, the lock of hair from the front of his head, slightly pulled back, resembles a lion’s mane and his hair is irregularly waved in both sides. This is the hairstyle of Alexander the Great. All of the aspects such as his heavy eyelids and round eyes, thick eyelashes, slightly open mouth that does not show his teeth are characteristics of the statues of Alexander the Great. This is the style of portraits made by the sculptor Lysippos, who lived in the 4th century BC and led the transition between the Classic Art and the Hellenistic Art. The artist worked for Alexander the Great and he was the only sculptor of Alexander. The deep forehead lines call the big problems faced by the king despite his youth to the mind. This work is reflecting the typical characteristics of the Pergamon sculpture school during the era of King Eumenes II.

STATUE OF MARSYAS

statue of marsyas, istanbul museums

The Statue of Marsyas, dated to the Hellenistic period, was found in Tarsus, a historical city in south-central Turkey.

He is depicted as hung from a tree and his muscles stretched due to torture draw attention. So to say, he has a physically silent but angry expression. The original version of this special statue should have been placed to the center of a group of statues including the statue of Apollo sitting on his left side and a slave sharpening his knife in order to skin him on his right side.

Marsyas, the main character of an Anatolian story, is depicted while bearing the consequences of his rivalry with Apollo, the god of music. According to the story, Marsyas claims that he plays his flute better than Apollo plays his lyre. Neither of them wins in a musical contest, but Apollo asks Marsyas to turn his instrument upside down and to add his own voice. However, Marsyas cannot meet this challenge and Apollo wins the contest. Angry because of being challenged by a mortal, Apollo skins Marsyas alive and hangs his skin to a pine tree. However, he feels sorry later, breaks his lyre and turns Marsyas into a river.

HISTORY

The Istanbul Archaeological Museums, inherited by the Republic of Turkey from the Ottoman Empire, is hosting the outcomes of the first activities in the field of museum works. In fact, in the Ottoman era, traces of the interest in collecting historical artifacts goes back to the era of Sultan Mehmed II the Conqueror.

muzei humayun, istanbul museums

IMPERIAL MUSEUM

However, the first regular museum works appeared when the Istanbul Archaeological Museums was founded in 1869 as the Imperial Museum (Müze-i Hümayun). The Imperial Museum, which consisted of archaeological artifacts collected until then and exhibited in the Hagia Irene (Aya İrini) church, laid the foundations of the Istanbul Archaeological Museums. Saffet Pasha, then Minister of Education, was closely interested in the museum and acted personally to expand its collections. Additionally, he made Edward Goold, a teacher of English origin in the Galatasaray High School (Galatasaray Lisesi), to be appointed as the director of the museum.

cinili kosk, turkey museums

 

TILED KIOSK

After being abolished for a while, the Imperial Museum was established again in 1872 by the Minister of Education Ahmed Vefik Pasha, who appointed the German Dr. Phillip Anton Dethier as the director. As a result of the works of Dr. Dethier, the room in the Hagia Irene church became insufficient and the construction of a new building came to the agenda. Due to financial constraints, a new building could not be constructed, but the Tiled Kiosk (Çinili Köşk), built in the era of Sultan Mehmed II the Conqueror, was transformed into a museum. The Tiled Kiosk, which is currently operated by the Istanbul Archaeological Museums, was restored and opened in 1880.

ALEXANDER SARCOPHAGUS

ALEXANDER SARCOPHAGUS, museums of turkey

ALEXANDER SARCOPHAGUS

The appointment of Osman Hamdi Bey, the son of Grand Vizier Edhem Pasha, as the director of the museum in 1881 marked a new epoch in the history of Turkish museums. Osman Hamdi Bey led excavations in Mount Nemrut, Myrina, Kymi and other Aeolian Necropoles and in the Lagina Hekate Sanctuary, and collected the artifacts from these sites in the museum. In 1887-1888, he found the Royal Necropolis in Sidon, Lebanon, and he returned with many sarcophagi, including the famous Sarcophagus of Alexander the Great, to Istanbul.

The oldest building in the complex of Istanbul Archaeological Museums is the Tiled Kiosk. The Tiled Kiosk Museum, where samples of Turkish tile and ceramic works are exhibited today, is the oldest civilian architectural work in Istanbul commissioned by Sultan Mehmed II the Conqueror. The influence of Seljuk architecture is apparent. According to the tile inscription above the gate, the pavilion was built in 1472 AD, but its architect is unknown.

The two other buildings that were constructed later are close to the Tiled Kiosk. One of them is the building constructed as the first Academy of Fine Arts in the Ottoman Empire and re-designed later as the Ancient Orient Museum.
The building, which is hosting the Ancient Orient Collection today, was constructed in 1883 by the order of Osman Hamdi Bey as the School of Fine Arts (Sanayi-i Nefise Mektebi), i.e. the Academy of Fine Arts. This was the first school of fine arts opened in the Ottoman Empire and it laid the foundations of today’s Mimar Sinan University of Fine Arts. The architect of the building was Alexander Vallaury, who built later the classical building of the Istanbul Archaeological Museums. In 1917, the academy moved to another building in the Cağaloğlu neighborhood and the building was assigned to the directorate of museums.

Halil Edhem Bey, the then director of the museum, thought that it was more appropriate to exhibit the artifacts from the ancient cultures of the Near Eastern countries and Greek, Roman and Byzantine artifacts separately, and this building was arranged as the Ancient Orient Museum. The German expert Eckhard Unger, who was invited to lead this transformation, worked in Istanbul in 1917-1919 and 1932-1933, gave the final shape to the museum and made several publications on the artifacts.The museum building was emptied during the World War II for purposes of defense and re-organized later by Osman Sümer in compliance with the principles of Unger. After an extensive restructuring that started in 1963, the museum was re-opened in 1974. The Ancient Orient Museum, which underwent maintenance and repairs in 1999-2000, obtained its current shape on September 8, 2000.On the other hand, the Archaeological Museum is one of the few buildings in the world constructed as a museum building.

The Archaeological Museum, one of the most beautiful and glorious examples of the neo-classical architecture in Istanbul, has a very spectacular architecture especially due to its gorgeous façade. With the two entrances on the long façade, which are reached through wide stairs, and each of which is decorated with four columns and a pediment, it appears like a temple. The kufic inscription on the pediment in Ottoman Turkish says ‘Asar-ı Atika Müzesi’ (Ancient Artifacts Museum). The tughra (calligraphic seal) above this script belongs to the Ottoman Sultan Abdülhamid II, who ordered the construction of the Old Building.

A new museum building was needed in order to display the glorious artifacts such as the Alexander Sarcophagus, the Sarcophagus of the Crying Women, the Lycian Sarcophagus and the Sarcophagus of Tabnit brought to Istanbul after the Royal Necropolis excavations in Sidon, Lebanon led by Osman Hamdi Bey in 1887 and 1888. The Istanbul Archaeological Museum, which was built against the Tiled Kiosk by the then famous architect Alexander Vallaury on the request of Osman Hamdi Bey, was opened to visits on June 13, 1891. This day is still celebrated as the Museum Day in our country.

Today’s main museum building took its final shape after the addition of the northern and the southern wings in 1903 and 1907 respectively.Due to the need for new exhibition halls, a new building adjacent to the southeastern side of the main museum building was constructed between 1969 and 1983 and this section was named the Additional Building (new building).

Greek gods: ZEUS, King of the Gods

10:00 pm
zeus, zeus pictures, greek gods, greek myth

zeus, zeus pictures, greek god, king of the gods, greek mythology, god of the gods

Greek gods: ZEUS, King of the Gods

Zeus Name

Unlike many Greek deities, the origin of the name of Zeus are indisputable. “Zeus” is connected to a Dyeus ancient Indo-European deity, which roughly translates as ‘heaven’, ‘day’ (as opposed to night) and ‘clear’. All these points to its role as a god of the heavens, the sky and thunder.

Iconography

As king of the Greek gods, Zeus is constantly portrayed in art, often with specific aspects or symbols to identify him and his purpose. For example, early classical vase paintings often show him hurling thunderbolts, which identified him as a mighty warrior god, member of Hephaestus the god of the forge and the manufacturer of lightning.

However, as the classical period progressed, it became fashionable to describe Zeus seated on a throne holding a scepter, often accompanied by the goddess Nike, symbolizing his role as king and the patriarch of the gods. It is important to note, however, that Zeus was not regarded as a tyrant and literature presents it as fair and impartial, especially considering that one of its functions mani was lord of Justice.

Regardless of their specific iconography, Zeus is always depicted as an imposing man, fully grown and with a beard – that indicates their status as patriarch of the Olympic family experience, unlike other male deities such as Apollo and Hermes, which often depicted as young men (efebos), beardless, erotically attractive, but not powerful. the power of Zeus is indicated by the symbols of the eagle, bull and oak adult.

Birth

Before the Greek pantheon of gods who are familiar with the Olympus ruled on a previous generation of deities, known as the Titans held on to power. The rule of these divine beings was Cronos, son of Gaia (Mother Earth). Crono’s mother had informed him that he would be usurped by one of his sons would be tremendously powerful. Therefore, each time Rhea Cronus wife gave birth to a child who would swallow the infant god to avoid tipping their power.

Birth of Zeus Part 1

 

Birth of Zeus Part 2

Having swallowed Hestia, Demeter, Hera, Hades and Poseidon, Cronos was deceived by his wife, love for his son, Zeus led a secret, while offering a stone wrapped in swaddling clothes to Kronos in place of the baby. Sources differ as to the upbringing of Zeus, some say he was raised by Gaia, others by the nymph Metis, others maintain that he was raised by the goat Amalthea! In any case, all sources agree that when he was fully grown, Zeus returned to Mount Olympus to confront his father.

Void Zeus Cronos

Again, sources conflict on the details of the encounter between Zeus and Cronus, some say Metis emetic administered a drug so that Cronos devoured his children vomit, while others say that Zeus open the womb of his father free their brothers and sisters.

Zeus proceeded to release the Giants (100 giants of the hand), Cyclops (giant eye) and Hecatonchires (three giants, each with fifty heads), all the brothers of Cronus whom the tyrant had imprisoned in Tartarus. In gratitude for their freedom, the Cyclopes gave Zeus the knowledge of how to craft rays. Armed with these weapons and the help of their brothers and sisters, as well as the giants in the wild, Zeus, declared war on the Titans (this battle is popularly known as the Titans).

The Titans were defeated and consigned to Tartarus to be punished for eternity in the custody of the Giants. Atlas, however, was selected for special punishment as it had been the joint leader of the Titans (with Cronos) and Zeus was forced to bear the weight of the SJK on his shoulders forever. Not all of the generation side of the Titans Cronus, Oceanus, remained neutral, and Promethius is said to have been of great help to Zeus.

Having usurped the ancient gods, Zeus is established as the king of Olympus and lord of heaven, the delegation of domains to their brothers (eg, Poseidon was given dominion over the control of the sea and Hades the Underworld). The only people that Zeus does not claim control over fate and the fates were, which remains infallible throughout the reign of Zeus, as seen in Homer’s Iliad, where Zeus tells Thetis can not save your child’s life which is destined to die.

ZEUS, zeus pictures

zeus, greek gods, god of the gods, greek mythology

Gigantomaquia

After the fall of the Titans, Zeus’s grandmother, Gaia, is angry at the new order of the gods, either because he felt that the Titans were treated unfairly, or because he felt he was not being honest enough in the Olympic scheme new. Therefore, in revenge, gave birth to a race of giants, hideous creatures, gigantic in size and almost invincible.

Among the hordes of beasts were known as Echidna and Typhon. As soon as they were born, these giants launched an offensive on Mount Olympus, the gods forcing wages to fight again. The Giants tried to reach heaven by piling mountains of Thessaly, Ossa and Pelion.

The gods were against the giants, but would not have won if not for the help of Athena (which some sources say he was born in the midst of the battle of the head of Zeus) and Heracles, who struck the death blow to Alcoyoneus The leader of the Giants. The Gigantomaquia was a popular subject in classical art, often displayed in temples, as the eastern metopa the Parthenon in Athens.

The wife of Zeus

Having established himself king of the gods, Zeus made Hera his sister, his wife and the queen (and very likely, because of this union that Hera is known as the goddess of marriage). Hera is almost always portrayed as the wife of Zeus and can hardly be considered an important mythological figure itself hour.

She appears mainly as an interference in the affairs of Zeus, often demanding vengeance fierce lovers of her husband. A good example of this is when Zeus fell in love with Io, Hera, with full knowledge of this, Zeus forced to hide the truth by transforming the girl into a cow (Promethius Bound by Aeschylus). Hera is also known to have viciously attacked the illegitimate children of Zeus, Heracles most infamous, which is caused to go crazy and kill his own wife and children.

Zeus famous lovers and children

Apart from Hera, Zeus’s lovers were many and varied, sometimes their emotions down to the goddesses, other mortal women. As mentioned above, Zeus raped Io, and seems to have had a great love for the girls, going to have sex with girls as Leto (who raised Helen of Troy), Alcmene (who raised Heracles), Europe (which raised Minos and Sarpedon), and many other lesser-known issues are listed along the mythological tradition.

Zeus, god of the gods, zeus pictures, zeus history, greek gods, greek mythology

zeus, great gods, zeus life, greek god, king of gods, zeus pics, king of the gods, greek mythology

These women and children, Hera was able to pursue, however, when Zeus decided slept with a goddess is limiting his ability to punish, and Zeus decided that he slept with a goddess often enough. Among her lovers was divine Leto (mother of Apollo and Artemis), Mnemosyne (which gave birth to the nine Muses), Dione (mother of Aphrodite) and Demeter (Persephone wearing).

It is theorized that these relationships were not punished as they were in some way universal and natural – Guerber suggested that as Zeus was the god of heaven, his affairs with beings as Dione (moisture) is symbolic, not unlike its relationship with Juno (the atmosphere).

Therefore, it appears that Zeus affairs with women were many and almost always result in a child. the love of Zeus, however, not restricted to women, as evidenced by the famous example of Zeus, who was obsessed with a handsome young man named Ganymede, kidnap the child and take him to Olympus to be cup bearer immortal the gods and his consort.

Although this type of behavior can be seen as scandalous in today’s society, the Athenian practice of pederasty (in which a senior citizen male take under his wing a young – efebo to present it in the ways of adult society while conducting a sexual relationship) was common and more or less essential part of puberty for a girl. Thus, in this myth, Zeus can see that taking the role of lecherous rapist as in its relations with mortal women, but a mature, responsible citizen, induction of a naive child in the forms of society the gods.

Zeus and Humanity

The relationship in which Zeus held the man is not clear, as different myths concerning the relationship between Zeus and meetings with varied human evidence. For example, in the famous myth of Promethius and Pandora, Zeus forbids man to take fire from Zeus to the gods do not want to and to prevent human beings move by obtaining the cooking methods on food forging tools and keep warm.

When Promethius disobeyed the decree for stealing a spark of divine fire and giving it to men, Zeus chained the Titan and punished him with an eagle kissed his liver every day. Not satisfied with punishing Promethius, Zeus also had their gods fellow workers in the first woman, Pandora, and gave the world a box was never opened. However, Zeus had given him an intense curiosity, which leads to his being unable to follow instruction and opening the box, releasing all the evils of the world to plague mankind.

While history suggests that Zeus had great animosity towards humanity as a whole, it seems that later in the development of the human race softened the feelings of Zeus, as shown in the story of Philemon and Baucis. According to Guerber version of the myth, Zeus often visited the earth, assuming a disguise, and the visit of men to determine the state of the world firsthand.

One day, Zeus deigned to visit the family poor but pious Philemon and Baucis. When Zeus came to the appearance of a mortal, the couple were eager for the hospitality in accordance with the laws of xenia (a specific code to make caring friend invited a guest, by the way Zeus was the guardian of foreigners and the executor xenia) and chose to kill their last chicken to feed their guests. Seeing Zeus revealed his generosity and gave them both a long life of service to the gods as he wished, and when he died Zeus transformed both oak trees standing in front of his church for centuries.

greek god zeus

zeus, zeus pictures, greek gods, pictures of zeus

Cult of Zeus

Although, as the chief god of the Greek pantheon, Zeus had places of worship in Greece, the largest electoral district and most famous was Panhellenic in Olympia. It was in this place that the ancient Olympic Games originated, and men from all over Greece during the build up to compete against each other for their own honor and his city-state.

These games were very politicized, often in conflict with competing cities for the glory and the prestige of victory. In fact, it is normal to have treasures Panhellenic enclosures in which to save the votive offerings from different cities, the treasures of Olympia is located on the main road through the site, promoting gifts and no city wanted to be shown up by their neighbors for not gifted enough. The temple of Zeus at Olympia was home to the famous statue of Zeus, now lost, was one of the wonders of the ancient world and Pausanias (an ancient Greek travel writer) urges everyone to visit Olympia to experience.

The place of worship of Olympia may have been the largest in existence, but there were other sites throughout Greece, each with slightly different ideas about Zeus, their role and how to worship him. For example, Herodotus tells us that Zeus was often perceived as a god of time, so that worship is often concentrated at the top of the mountains near the sky.

The most important of the mountain of Zeus-sites was, of course, Mount Olympus, although no archaeological evidence of a peak-sanctuary, is likely to have been or some kind of seal on the mountainside, or the Olympic rituals were conducted there. These shrines, however, have dug in other places, for example, on Mount Hymettus, and it seems as if these were related to rain rituals.

zeus, ZEUS, zeus photos, zeus pictures, zeus god, greek god, greek gods, myth

zeus, zeus pictures, zeus photos, zeus history, god of the goods, greek gods, greek mythology

Although rare, Zeus is sometimes referred to in ritual contexts as “signals” or “the harbingers of ‘, suggesting that performed some kind of oracular function. As Zeus was an incarnation of fate, among other things, it seems asked appropriate omens of divine favor rather specific as no amount of prayer will allow Zeus to go against the course of destiny.

This aspect of Zeus is further illustrated by a few oracular sites, at Dodona, in Epirus (reported as the oldest of Oracle in the Greek world, active until the end of the eraas Hellestic well as in Siwa, Egypt. Hornblower states that priests Oracle interpret messages given by God, in the forms of the flight paths of birds in and around the sacred oak trees, divination by lot (cleromancy), by the sound of a gong and / or singing the birds nearby.

As mentioned above, Zeus was traditionally represented as a man fully developed. The cult in Crete, however, seems to have worshiped Zeus as an Adonis like all art that represents it shows a young man with long hair at the edge of manhood.

Many features of Zeus

Zeus, like most of the gods of the Greek pantheon, had many roles and epithets aside from its primary function as a weather god and the king of Olympus. Zeus Panhellenios its title shows its applicability to all of Greece as it literally translates as “Zeus of all the Hellenes.” As mentioned above, Zeus was the lord and executor of Xenia, what is the name of Xenios Zeus, the patron deity of hospitality, friendship and evaluation, punishment of those who violated the laws of xenia. In addition, Zeus watched Agoraios trade relations in the market (agora) and was ready to punish the rogues, thieves and unfair traders.

Another aspect of Zeus was the guardian of oaths and punish those who violate the oath. As a result, oaths were often sworn by almighty Zeus’ and people who violated the terms of his oath were made for
Zeus, man?

Euhemerism is the method of interpretation that seeks to rationalize the fantastic to make it more understandable and hopefully reveal an indication of the truth behind these stories. The founder of this school of thought, Euhemerus, proposed the idea that Zeus was not a god at all, but I was a king, who had been glorified after his death, probably with some kind of extravagant monument, and his fame has led to stories of his life is distorted until it finally became a deity in the minds of later generations. Greek Mythology

More Pictures about Zeus and  Zeus Gallery

Read More articles and see the pictures about greek gods and greek goddesses: