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Istanbul Archaeological Museums

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Istanbul Museums

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The Istanbul Archaeological Museums, a museum affiliated to the Ministry of Culture and Tourism, is located in Istanbul’s Sultanahmet neighborhood, on the Osman Hamdi Bey slope connecting the Gülhane Park with the Topkapı Palace. Its name is plural, since there are three different museums under the same administration: The Archaeological Museum, the Ancient Orient Museum (Eski Şark Eserleri Müzesi) and Tiled Kiosk Museum (Çinili Köşk Müzesi).

  • During an Istanbul Archaeological Museums tour, it is possible to visit the extraordinarily beautiful garden of the museum and the three different buildings inside this garden.
  • The Istanbul Archaeological Museums, which is housing various artifacts from civilizations that had left their traces to different periods of the history, is one of the 10 most important world-class museums designed and used as a museum building. Additionally, it is the first institution in Turkey arranged as a museum. Besides its spectacular collections, the architectural aspects of its buildings and its garden are of historical and natural importance.
  • The Istanbul Archaeological Museums is welcoming all visitors who want to make a journey in the corridors of the history and to trace the remains of ancient civilizations.


After its opening on June 13, 1891, the Archaeological Museum expanded its collection rapidly. Currently, on the ground floor of the Archaeological Museum, sculptures from the Ancient Age from the Archaic Era to the Roman Era may be seen on the right side, and world wide famous unique artifacts such as the Alexander Sarcophagus, the Sarcophagus of Crying Women and the Sarcophagus of Tabnit that came from the Royal Necropolis in Sidon on the left side. On the upper floor of the two-storey building, there are the Treasury section, the Non-Islamic and Islamic Coin Cabinets and the Library.

The “Surrounding Cultures of Istanbul” section, which was opened in the cellar of the new building in 1998, is a hall where artifacts from various ages found during excavations at the surrounding archaeological sites and tumuli. It has sub-sections of “Thrace-Bithynia and Byzantium”. The ground floor of the new building hosts the “Children’s Museum” exhibition.The “Istanbul Through the Ages” collection is exhibited on the first floor of the new building, the “Anatolia and Troy Through the Ages” collection on the second floor and the “Surrounding Cultures of Anatolia: Artifacts from Syria, Palestine and Cyprus” collection on the third floor, in chronological order.ARCHAEOLOGICAL MUSEUM ARTIFACTS


head of alexander the great

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When the Macedon king Alexander the Great, who lived between 356 and 323 BC, ascended to the throne, he was not even twenty. The legendary commander, who died at the age of 33, has never been forgotten during the twenty-three centuries passed since then, thanks to his glorious and great conquests during a short period of kingdom. He overthrew the Persian Empire and established a great empire extending from Macedonia to India. The cities founded by Alexander, who spent most of his life in Asia, as military bases turned into cultural and commercial centers later and played an important role in the spread of the Ancient Greek culture up to India.

The era of Alexander the Great, of which artistic influences can be followed as well, was a transition period between the periods of Classical Art and Hellenistic Art.

The Head of Alexander the Great, dated to the 2nd century BC, was found during excavations at the Lower Agora in Pergamon (Bergama).

His head is inclined towards his shoulder, the lock of hair from the front of his head, slightly pulled back, resembles a lion’s mane and his hair is irregularly waved in both sides. This is the hairstyle of Alexander the Great. All of the aspects such as his heavy eyelids and round eyes, thick eyelashes, slightly open mouth that does not show his teeth are characteristics of the statues of Alexander the Great. This is the style of portraits made by the sculptor Lysippos, who lived in the 4th century BC and led the transition between the Classic Art and the Hellenistic Art. The artist worked for Alexander the Great and he was the only sculptor of Alexander. The deep forehead lines call the big problems faced by the king despite his youth to the mind. This work is reflecting the typical characteristics of the Pergamon sculpture school during the era of King Eumenes II.


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The Statue of Marsyas, dated to the Hellenistic period, was found in Tarsus, a historical city in south-central Turkey.

He is depicted as hung from a tree and his muscles stretched due to torture draw attention. So to say, he has a physically silent but angry expression. The original version of this special statue should have been placed to the center of a group of statues including the statue of Apollo sitting on his left side and a slave sharpening his knife in order to skin him on his right side.

Marsyas, the main character of an Anatolian story, is depicted while bearing the consequences of his rivalry with Apollo, the god of music. According to the story, Marsyas claims that he plays his flute better than Apollo plays his lyre. Neither of them wins in a musical contest, but Apollo asks Marsyas to turn his instrument upside down and to add his own voice. However, Marsyas cannot meet this challenge and Apollo wins the contest. Angry because of being challenged by a mortal, Apollo skins Marsyas alive and hangs his skin to a pine tree. However, he feels sorry later, breaks his lyre and turns Marsyas into a river.


The Istanbul Archaeological Museums, inherited by the Republic of Turkey from the Ottoman Empire, is hosting the outcomes of the first activities in the field of museum works. In fact, in the Ottoman era, traces of the interest in collecting historical artifacts goes back to the era of Sultan Mehmed II the Conqueror.

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However, the first regular museum works appeared when the Istanbul Archaeological Museums was founded in 1869 as the Imperial Museum (Müze-i Hümayun). The Imperial Museum, which consisted of archaeological artifacts collected until then and exhibited in the Hagia Irene (Aya İrini) church, laid the foundations of the Istanbul Archaeological Museums. Saffet Pasha, then Minister of Education, was closely interested in the museum and acted personally to expand its collections. Additionally, he made Edward Goold, a teacher of English origin in the Galatasaray High School (Galatasaray Lisesi), to be appointed as the director of the museum.

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After being abolished for a while, the Imperial Museum was established again in 1872 by the Minister of Education Ahmed Vefik Pasha, who appointed the German Dr. Phillip Anton Dethier as the director. As a result of the works of Dr. Dethier, the room in the Hagia Irene church became insufficient and the construction of a new building came to the agenda. Due to financial constraints, a new building could not be constructed, but the Tiled Kiosk (Çinili Köşk), built in the era of Sultan Mehmed II the Conqueror, was transformed into a museum. The Tiled Kiosk, which is currently operated by the Istanbul Archaeological Museums, was restored and opened in 1880.


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The appointment of Osman Hamdi Bey, the son of Grand Vizier Edhem Pasha, as the director of the museum in 1881 marked a new epoch in the history of Turkish museums. Osman Hamdi Bey led excavations in Mount Nemrut, Myrina, Kymi and other Aeolian Necropoles and in the Lagina Hekate Sanctuary, and collected the artifacts from these sites in the museum. In 1887-1888, he found the Royal Necropolis in Sidon, Lebanon, and he returned with many sarcophagi, including the famous Sarcophagus of Alexander the Great, to Istanbul.

The oldest building in the complex of Istanbul Archaeological Museums is the Tiled Kiosk. The Tiled Kiosk Museum, where samples of Turkish tile and ceramic works are exhibited today, is the oldest civilian architectural work in Istanbul commissioned by Sultan Mehmed II the Conqueror. The influence of Seljuk architecture is apparent. According to the tile inscription above the gate, the pavilion was built in 1472 AD, but its architect is unknown.

The two other buildings that were constructed later are close to the Tiled Kiosk. One of them is the building constructed as the first Academy of Fine Arts in the Ottoman Empire and re-designed later as the Ancient Orient Museum.
The building, which is hosting the Ancient Orient Collection today, was constructed in 1883 by the order of Osman Hamdi Bey as the School of Fine Arts (Sanayi-i Nefise Mektebi), i.e. the Academy of Fine Arts. This was the first school of fine arts opened in the Ottoman Empire and it laid the foundations of today’s Mimar Sinan University of Fine Arts. The architect of the building was Alexander Vallaury, who built later the classical building of the Istanbul Archaeological Museums. In 1917, the academy moved to another building in the Cağaloğlu neighborhood and the building was assigned to the directorate of museums.

Halil Edhem Bey, the then director of the museum, thought that it was more appropriate to exhibit the artifacts from the ancient cultures of the Near Eastern countries and Greek, Roman and Byzantine artifacts separately, and this building was arranged as the Ancient Orient Museum. The German expert Eckhard Unger, who was invited to lead this transformation, worked in Istanbul in 1917-1919 and 1932-1933, gave the final shape to the museum and made several publications on the artifacts.The museum building was emptied during the World War II for purposes of defense and re-organized later by Osman Sümer in compliance with the principles of Unger. After an extensive restructuring that started in 1963, the museum was re-opened in 1974. The Ancient Orient Museum, which underwent maintenance and repairs in 1999-2000, obtained its current shape on September 8, 2000.On the other hand, the Archaeological Museum is one of the few buildings in the world constructed as a museum building.

The Archaeological Museum, one of the most beautiful and glorious examples of the neo-classical architecture in Istanbul, has a very spectacular architecture especially due to its gorgeous façade. With the two entrances on the long façade, which are reached through wide stairs, and each of which is decorated with four columns and a pediment, it appears like a temple. The kufic inscription on the pediment in Ottoman Turkish says ‘Asar-ı Atika Müzesi’ (Ancient Artifacts Museum). The tughra (calligraphic seal) above this script belongs to the Ottoman Sultan Abdülhamid II, who ordered the construction of the Old Building.

A new museum building was needed in order to display the glorious artifacts such as the Alexander Sarcophagus, the Sarcophagus of the Crying Women, the Lycian Sarcophagus and the Sarcophagus of Tabnit brought to Istanbul after the Royal Necropolis excavations in Sidon, Lebanon led by Osman Hamdi Bey in 1887 and 1888. The Istanbul Archaeological Museum, which was built against the Tiled Kiosk by the then famous architect Alexander Vallaury on the request of Osman Hamdi Bey, was opened to visits on June 13, 1891. This day is still celebrated as the Museum Day in our country.

Today’s main museum building took its final shape after the addition of the northern and the southern wings in 1903 and 1907 respectively.Due to the need for new exhibition halls, a new building adjacent to the southeastern side of the main museum building was constructed between 1969 and 1983 and this section was named the Additional Building (new building).

Arcadia, Greece

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Arcadia is a mountainous country with rivers flowing rivers, deep gorges, high Frankish, Byzantine churches and monasteries, traditional villages and ancient cities. And for those who are fans of the book Holy Blood, Holy Grail Holy Grail is here came when he left the Holy Land.

Arcadia is a region is determined only by a few tourists are rewarded with one of the most beautiful coasts of Greece. Tripoli is the capital of the agricultural and commercial center of the neo-classical houses and the archaeological museum. But the real beauty of Arcadia can be found in the surrounding villages, as Karitena called the Toledo of Greece (no, not Ohio: Spain), with narrow streets, stone houses and the castle of the Franks. Nearby is the old bridge over the river Loussios Franchi, throat and Gortys ancient site which can be reached on foot or by jeep. Leonideon city has a huge part of the gorge between two mountains, and is an excellent beach called Plakas. Visit the small village of Kosmas its cool summer weather and beautiful Platia around a large Church and the Fountain of the Lion.

The area is famous autumn chestnut and meat dishes at restaurants, where people travel long distances to eat, especially in winter when they have a fire and the whole village smells psistaria (grill). Try a small traditional restaurant called O Elatos with two women and their husbands turn out paidakia grilled dishes (lamb chops), brizoles hirino (pork chops), mouschari (steak), sikotaria (liver) and other meat dishes. Yida Specialties village, a goat eating soup in the winter, gkougkes, which is a local cheese, thick paste, and pitaroudia, local Horta or spinach pie in the oven, grilled or poached instead of fried. They have a great place increased by more than pink and light brown almost Sherry who wanted to take a bottle to take home, but they were scarce. (I’m about Selinute traditional commerce).

Leonideon city is at the end of a long ravine, where he finally meets the sea and is one of the most beautiful Greek beaches in the Peloponnese. A trip there Kosmas is one of the most spectacular in Greece and you ignore the great monastery of Agios Nikolaos, which rivals the Meteor.

The village of Clitoria (I do not invent) is what is perhaps the oldest vine in the world. Some of the best wines and the best chefs in Arcadia.

Langada the city is an interesting place to visit for several reasons. It is a mountain village located in a pine forest on a fairly high altitude and has breathtaking views. There are cafes and taverns, and so-called Katastima Trofimon beside an excellent espresso coffee is great. The Trofimon Katastima led by a beautiful woman named Kanela Mouroutsou (his brother owns a coffee shop next door). The shop offers traditional and natural products, including homemade pasta, honey, olive oil, mountain herbs, soap, craft wine cheese, fruit preserves, cereals, dried fruit, sundried tomatoes and many other products. Langada is on its way from Olympia to Tripoli, so if you go through it is a good place to stop and pause.

Also on the road out of town is a small store owned by an old man named Athanasios Grigoropoulos making hand carved walking sticks and canes in a wide variety and interesting for some goat horns. Athanasios is an attractive and interesting guy with mountains of letters and cards he received the good wishes I have left in their store. The store is in a precarious location near a bend in the road so be careful crossing and shopping.

When driving in Arcadia, and indeed all the roads Peloponnese take it easy. There are places where the road is wet, or soft or rain, which can be tricky and can easily lose control of the machine if you’re going too fast. On the road between Tripoli and Sparta, two important places to stop. The first is a cheese factory a few miles on the right before coming to Tripoli from Sparta. (I’m writing this to return to Athens, the Peloponnese, because not many people take their holidays with the cheese.) You can buy feta and yogurt and sheep Manouri, perhaps the best you can find. The nearest restaurant Ardamis second is that it seems to stop trucks in the United States, but is in fact one of the best Greek Peloponnese Restaurants, definitely the best you can find on the highway. We had a rabbit and volvous stifado that are marinated and tassel hyacinth bulbs.

They taste terrible, but we must try. Best of all local products and traditional wines that sell there. Especially good is a dark red Kariatiko regional dry red wine that is sold and Lakonias 1.5-liter plastic bottles for € 4.60 each. It ‘s the best wine in a plastic bottle you will ever drink. Keep your eyes open for people who sell fruit and vegetables on the road from Sparta, especially at the beginning of summer, when the cherry season.