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Blue Mosque Istanbul

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The cascading domes and six slender minarets from the Sultanahmet Mosque (better known because the “Blue Mosque”) dominate the skyline of Istanbul. In the 17th century, Sultan Ahmet I wished to build an Islamic host to worship that might be even better compared to the Hagia Sophia, additionally, the mosque named for him stands out as the result. The 2 great architectural achievements now stand adjacent to one another in Istanbul’s main square, and it is around visitors to decide which is much more terrific.

The Blue Mosque was commissioned by Sultan Ahmet I when he was just nineteen years of age. It was built at the Hagia Sophia, on the site of your age-old hippodrome and Byzantine imperial manifacture (whose mosaics can be seen in the nearby Mosaic Museum). Construction work began in 1609 and took seven years.

The mosque was designed by architect Mehmet Aga, whose unfortunate predecessor was found wanting and performed. Sultan Ahmet was so anxious for his magnificent creation to be completed that he often help the work. Sadly, he died just a year after the completing his masterpiece, at the ages of 27. He is buried outside of the mosque with his wife and 3 sons.

The initial mosque complex included a madrasa, a hospital, a han, a primary school, a market, an imaret along with the tomb of the founder. Most of these buildings were torn down in the nineteenth century.

What to See

One of the crucial notable popular features of the Blue Mosque is visible from distant: its six minarets. This is extremely unique, since several mosques have four, two, or simply one minaret. İn keeping with one account, the Sultan directed his architect to make gold (altin) minarets, which has been misunderstood as 6 (alti) minarets.

Regardless of the origins from the unique feature, the six minarets caused quite a scandal, as the Haram Mosque in Mecca (the holiest on the globe) also had six minarets. In the end, the sultan reduced the problem by sending his architect to Mecca to incorporate a seventh minaret.

Another striking feature with the exterior may be the beautifully-arranged cascade of domes that seem to spill down in the great central dome. The arcades jogging beneath each dome add more visual rhythm. Not one of the exterior is blue – the name “Blue Mosque” emanates from the blue tiles inside.

The principle west entrance is superbly decorated and very much worth a look. However, to preserve the mosque’s sanctity, non-worshippers have to use the north entrance, off the Hippodrome. Hanging from this gate are symbolic chains that encourage everyone, perhaps the sultan who entered on horseback, to bow his own head upon entering.

Inside, our prime ceiling is lined with the 20,000 blue tiles that give the mosque its popular name. Fine examples of sixteenth-century Iznik design, the oldest tiles feature flowers, trees and abstract patterns. The overall effect is one of the most incredible sights in Istanbul. The Iznik tiles are visible in the galleries and and on the north wall over the main entrance. The rest of the tiles, which have a less delicate design, were made in Kütahya.

The inside is lit with 260 windows, which were once filled with 17th-century stained glass. Sadly, it has been lost and replaced with inferior replicas.

On summer nights at 9pm, there is a historical narrative along with a light show at the Blue Mosque. The commentaries receive in Turkish, English, French and German on various nights.

Istanbul’s imperial Mosque of Sultan Ahmet I (Sultan Ahmet Camii) is known as the Blue Mosque due to the interior tiles, totally on the upper level and difficult to see unless you’re right up there with them.

Your investment blue floor tiles! The mosque (built 1603-17) is the masterwork of Ottoman architect Sedefkâr Mehmet Ağa. It’s built on the site from the Great Palace of Byzantium, about the southeastern side of the Hippodrome.

Using its 6 minarets along with a great cascade of domes, the mosque is a worthy brother or sister to Ayasofya (Hagia Sophia) just a couple minutes’ stroll to the north.

The Blue Mosque has intriguing secrets exposed in my travel precious moment, Bright Sun, Strong Tea, and on the Magic of the Blue Mosque page.

This is among Istanbul’s premier sights, and you’re thanks for visiting visit at most times of day, free of charge (contributions gratefully obtained).

But it is also a working mosque, therefore it is closed to non-worshippers for any 30 minutes or so during the five daily hopes (here are the prayer times), and could be closed for a longer period from midday on Friday, the Muslim almost holy day.

The best way to properly appreciate the splendid architecture of the Blue Mosque is to approach it from the Hippodrome (that’s, in the west) so you can appreciate the special moment from the Blue Mosque.

If you are a non-Muslim visitor, it’s essential to enter through the door on the south side of your mosque (to the right as you enter on the Hippodrome. If you’re entering from the Ayasofya side, the tourist entrance is on the opposite side from the mosque.)

Istanbul Archaeological Museums

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Istanbul Museums

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The Istanbul Archaeological Museums, a museum affiliated to the Ministry of Culture and Tourism, is located in Istanbul’s Sultanahmet neighborhood, on the Osman Hamdi Bey slope connecting the Gülhane Park with the Topkapı Palace. Its name is plural, since there are three different museums under the same administration: The Archaeological Museum, the Ancient Orient Museum (Eski Şark Eserleri Müzesi) and Tiled Kiosk Museum (Çinili Köşk Müzesi).

  • During an Istanbul Archaeological Museums tour, it is possible to visit the extraordinarily beautiful garden of the museum and the three different buildings inside this garden.
  • The Istanbul Archaeological Museums, which is housing various artifacts from civilizations that had left their traces to different periods of the history, is one of the 10 most important world-class museums designed and used as a museum building. Additionally, it is the first institution in Turkey arranged as a museum. Besides its spectacular collections, the architectural aspects of its buildings and its garden are of historical and natural importance.
  • The Istanbul Archaeological Museums is welcoming all visitors who want to make a journey in the corridors of the history and to trace the remains of ancient civilizations.


After its opening on June 13, 1891, the Archaeological Museum expanded its collection rapidly. Currently, on the ground floor of the Archaeological Museum, sculptures from the Ancient Age from the Archaic Era to the Roman Era may be seen on the right side, and world wide famous unique artifacts such as the Alexander Sarcophagus, the Sarcophagus of Crying Women and the Sarcophagus of Tabnit that came from the Royal Necropolis in Sidon on the left side. On the upper floor of the two-storey building, there are the Treasury section, the Non-Islamic and Islamic Coin Cabinets and the Library.

The “Surrounding Cultures of Istanbul” section, which was opened in the cellar of the new building in 1998, is a hall where artifacts from various ages found during excavations at the surrounding archaeological sites and tumuli. It has sub-sections of “Thrace-Bithynia and Byzantium”. The ground floor of the new building hosts the “Children’s Museum” exhibition.The “Istanbul Through the Ages” collection is exhibited on the first floor of the new building, the “Anatolia and Troy Through the Ages” collection on the second floor and the “Surrounding Cultures of Anatolia: Artifacts from Syria, Palestine and Cyprus” collection on the third floor, in chronological order.ARCHAEOLOGICAL MUSEUM ARTIFACTS


head of alexander the great

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When the Macedon king Alexander the Great, who lived between 356 and 323 BC, ascended to the throne, he was not even twenty. The legendary commander, who died at the age of 33, has never been forgotten during the twenty-three centuries passed since then, thanks to his glorious and great conquests during a short period of kingdom. He overthrew the Persian Empire and established a great empire extending from Macedonia to India. The cities founded by Alexander, who spent most of his life in Asia, as military bases turned into cultural and commercial centers later and played an important role in the spread of the Ancient Greek culture up to India.

The era of Alexander the Great, of which artistic influences can be followed as well, was a transition period between the periods of Classical Art and Hellenistic Art.

The Head of Alexander the Great, dated to the 2nd century BC, was found during excavations at the Lower Agora in Pergamon (Bergama).

His head is inclined towards his shoulder, the lock of hair from the front of his head, slightly pulled back, resembles a lion’s mane and his hair is irregularly waved in both sides. This is the hairstyle of Alexander the Great. All of the aspects such as his heavy eyelids and round eyes, thick eyelashes, slightly open mouth that does not show his teeth are characteristics of the statues of Alexander the Great. This is the style of portraits made by the sculptor Lysippos, who lived in the 4th century BC and led the transition between the Classic Art and the Hellenistic Art. The artist worked for Alexander the Great and he was the only sculptor of Alexander. The deep forehead lines call the big problems faced by the king despite his youth to the mind. This work is reflecting the typical characteristics of the Pergamon sculpture school during the era of King Eumenes II.


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The Statue of Marsyas, dated to the Hellenistic period, was found in Tarsus, a historical city in south-central Turkey.

He is depicted as hung from a tree and his muscles stretched due to torture draw attention. So to say, he has a physically silent but angry expression. The original version of this special statue should have been placed to the center of a group of statues including the statue of Apollo sitting on his left side and a slave sharpening his knife in order to skin him on his right side.

Marsyas, the main character of an Anatolian story, is depicted while bearing the consequences of his rivalry with Apollo, the god of music. According to the story, Marsyas claims that he plays his flute better than Apollo plays his lyre. Neither of them wins in a musical contest, but Apollo asks Marsyas to turn his instrument upside down and to add his own voice. However, Marsyas cannot meet this challenge and Apollo wins the contest. Angry because of being challenged by a mortal, Apollo skins Marsyas alive and hangs his skin to a pine tree. However, he feels sorry later, breaks his lyre and turns Marsyas into a river.


The Istanbul Archaeological Museums, inherited by the Republic of Turkey from the Ottoman Empire, is hosting the outcomes of the first activities in the field of museum works. In fact, in the Ottoman era, traces of the interest in collecting historical artifacts goes back to the era of Sultan Mehmed II the Conqueror.

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However, the first regular museum works appeared when the Istanbul Archaeological Museums was founded in 1869 as the Imperial Museum (Müze-i Hümayun). The Imperial Museum, which consisted of archaeological artifacts collected until then and exhibited in the Hagia Irene (Aya İrini) church, laid the foundations of the Istanbul Archaeological Museums. Saffet Pasha, then Minister of Education, was closely interested in the museum and acted personally to expand its collections. Additionally, he made Edward Goold, a teacher of English origin in the Galatasaray High School (Galatasaray Lisesi), to be appointed as the director of the museum.

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After being abolished for a while, the Imperial Museum was established again in 1872 by the Minister of Education Ahmed Vefik Pasha, who appointed the German Dr. Phillip Anton Dethier as the director. As a result of the works of Dr. Dethier, the room in the Hagia Irene church became insufficient and the construction of a new building came to the agenda. Due to financial constraints, a new building could not be constructed, but the Tiled Kiosk (Çinili Köşk), built in the era of Sultan Mehmed II the Conqueror, was transformed into a museum. The Tiled Kiosk, which is currently operated by the Istanbul Archaeological Museums, was restored and opened in 1880.


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The appointment of Osman Hamdi Bey, the son of Grand Vizier Edhem Pasha, as the director of the museum in 1881 marked a new epoch in the history of Turkish museums. Osman Hamdi Bey led excavations in Mount Nemrut, Myrina, Kymi and other Aeolian Necropoles and in the Lagina Hekate Sanctuary, and collected the artifacts from these sites in the museum. In 1887-1888, he found the Royal Necropolis in Sidon, Lebanon, and he returned with many sarcophagi, including the famous Sarcophagus of Alexander the Great, to Istanbul.

The oldest building in the complex of Istanbul Archaeological Museums is the Tiled Kiosk. The Tiled Kiosk Museum, where samples of Turkish tile and ceramic works are exhibited today, is the oldest civilian architectural work in Istanbul commissioned by Sultan Mehmed II the Conqueror. The influence of Seljuk architecture is apparent. According to the tile inscription above the gate, the pavilion was built in 1472 AD, but its architect is unknown.

The two other buildings that were constructed later are close to the Tiled Kiosk. One of them is the building constructed as the first Academy of Fine Arts in the Ottoman Empire and re-designed later as the Ancient Orient Museum.
The building, which is hosting the Ancient Orient Collection today, was constructed in 1883 by the order of Osman Hamdi Bey as the School of Fine Arts (Sanayi-i Nefise Mektebi), i.e. the Academy of Fine Arts. This was the first school of fine arts opened in the Ottoman Empire and it laid the foundations of today’s Mimar Sinan University of Fine Arts. The architect of the building was Alexander Vallaury, who built later the classical building of the Istanbul Archaeological Museums. In 1917, the academy moved to another building in the Cağaloğlu neighborhood and the building was assigned to the directorate of museums.

Halil Edhem Bey, the then director of the museum, thought that it was more appropriate to exhibit the artifacts from the ancient cultures of the Near Eastern countries and Greek, Roman and Byzantine artifacts separately, and this building was arranged as the Ancient Orient Museum. The German expert Eckhard Unger, who was invited to lead this transformation, worked in Istanbul in 1917-1919 and 1932-1933, gave the final shape to the museum and made several publications on the artifacts.The museum building was emptied during the World War II for purposes of defense and re-organized later by Osman Sümer in compliance with the principles of Unger. After an extensive restructuring that started in 1963, the museum was re-opened in 1974. The Ancient Orient Museum, which underwent maintenance and repairs in 1999-2000, obtained its current shape on September 8, 2000.On the other hand, the Archaeological Museum is one of the few buildings in the world constructed as a museum building.

The Archaeological Museum, one of the most beautiful and glorious examples of the neo-classical architecture in Istanbul, has a very spectacular architecture especially due to its gorgeous façade. With the two entrances on the long façade, which are reached through wide stairs, and each of which is decorated with four columns and a pediment, it appears like a temple. The kufic inscription on the pediment in Ottoman Turkish says ‘Asar-ı Atika Müzesi’ (Ancient Artifacts Museum). The tughra (calligraphic seal) above this script belongs to the Ottoman Sultan Abdülhamid II, who ordered the construction of the Old Building.

A new museum building was needed in order to display the glorious artifacts such as the Alexander Sarcophagus, the Sarcophagus of the Crying Women, the Lycian Sarcophagus and the Sarcophagus of Tabnit brought to Istanbul after the Royal Necropolis excavations in Sidon, Lebanon led by Osman Hamdi Bey in 1887 and 1888. The Istanbul Archaeological Museum, which was built against the Tiled Kiosk by the then famous architect Alexander Vallaury on the request of Osman Hamdi Bey, was opened to visits on June 13, 1891. This day is still celebrated as the Museum Day in our country.

Today’s main museum building took its final shape after the addition of the northern and the southern wings in 1903 and 1907 respectively.Due to the need for new exhibition halls, a new building adjacent to the southeastern side of the main museum building was constructed between 1969 and 1983 and this section was named the Additional Building (new building).