Istanbul Archaeological Museums

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The Istanbul Archaeological Museums, a museum affiliated to the Ministry of Culture and Tourism, is located in Istanbul’s Sultanahmet neighborhood, on the Osman Hamdi Bey slope connecting the Gülhane Park with the Topkapı Palace. Its name is plural, since there are three different museums under the same administration: The Archaeological Museum, the Ancient Orient Museum (Eski Şark Eserleri Müzesi) and Tiled Kiosk Museum (Çinili Köşk Müzesi).

  • During an Istanbul Archaeological Museums tour, it is possible to visit the extraordinarily beautiful garden of the museum and the three different buildings inside this garden.
  • The Istanbul Archaeological Museums, which is housing various artifacts from civilizations that had left their traces to different periods of the history, is one of the 10 most important world-class museums designed and used as a museum building. Additionally, it is the first institution in Turkey arranged as a museum. Besides its spectacular collections, the architectural aspects of its buildings and its garden are of historical and natural importance.
  • The Istanbul Archaeological Museums is welcoming all visitors who want to make a journey in the corridors of the history and to trace the remains of ancient civilizations.

THE ARCHAEOLOGICAL MUSEUM and THE NEW BUILDING

After its opening on June 13, 1891, the Archaeological Museum expanded its collection rapidly. Currently, on the ground floor of the Archaeological Museum, sculptures from the Ancient Age from the Archaic Era to the Roman Era may be seen on the right side, and world wide famous unique artifacts such as the Alexander Sarcophagus, the Sarcophagus of Crying Women and the Sarcophagus of Tabnit that came from the Royal Necropolis in Sidon on the left side. On the upper floor of the two-storey building, there are the Treasury section, the Non-Islamic and Islamic Coin Cabinets and the Library.

The “Surrounding Cultures of Istanbul” section, which was opened in the cellar of the new building in 1998, is a hall where artifacts from various ages found during excavations at the surrounding archaeological sites and tumuli. It has sub-sections of “Thrace-Bithynia and Byzantium”. The ground floor of the new building hosts the “Children’s Museum” exhibition.The “Istanbul Through the Ages” collection is exhibited on the first floor of the new building, the “Anatolia and Troy Through the Ages” collection on the second floor and the “Surrounding Cultures of Anatolia: Artifacts from Syria, Palestine and Cyprus” collection on the third floor, in chronological order.ARCHAEOLOGICAL MUSEUM ARTIFACTS

HEAD OF ALEXANDER THE GREAT

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When the Macedon king Alexander the Great, who lived between 356 and 323 BC, ascended to the throne, he was not even twenty. The legendary commander, who died at the age of 33, has never been forgotten during the twenty-three centuries passed since then, thanks to his glorious and great conquests during a short period of kingdom. He overthrew the Persian Empire and established a great empire extending from Macedonia to India. The cities founded by Alexander, who spent most of his life in Asia, as military bases turned into cultural and commercial centers later and played an important role in the spread of the Ancient Greek culture up to India.

The era of Alexander the Great, of which artistic influences can be followed as well, was a transition period between the periods of Classical Art and Hellenistic Art.

The Head of Alexander the Great, dated to the 2nd century BC, was found during excavations at the Lower Agora in Pergamon (Bergama).

His head is inclined towards his shoulder, the lock of hair from the front of his head, slightly pulled back, resembles a lion’s mane and his hair is irregularly waved in both sides. This is the hairstyle of Alexander the Great. All of the aspects such as his heavy eyelids and round eyes, thick eyelashes, slightly open mouth that does not show his teeth are characteristics of the statues of Alexander the Great. This is the style of portraits made by the sculptor Lysippos, who lived in the 4th century BC and led the transition between the Classic Art and the Hellenistic Art. The artist worked for Alexander the Great and he was the only sculptor of Alexander. The deep forehead lines call the big problems faced by the king despite his youth to the mind. This work is reflecting the typical characteristics of the Pergamon sculpture school during the era of King Eumenes II.

STATUE OF MARSYAS

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The Statue of Marsyas, dated to the Hellenistic period, was found in Tarsus, a historical city in south-central Turkey.

He is depicted as hung from a tree and his muscles stretched due to torture draw attention. So to say, he has a physically silent but angry expression. The original version of this special statue should have been placed to the center of a group of statues including the statue of Apollo sitting on his left side and a slave sharpening his knife in order to skin him on his right side.

Marsyas, the main character of an Anatolian story, is depicted while bearing the consequences of his rivalry with Apollo, the god of music. According to the story, Marsyas claims that he plays his flute better than Apollo plays his lyre. Neither of them wins in a musical contest, but Apollo asks Marsyas to turn his instrument upside down and to add his own voice. However, Marsyas cannot meet this challenge and Apollo wins the contest. Angry because of being challenged by a mortal, Apollo skins Marsyas alive and hangs his skin to a pine tree. However, he feels sorry later, breaks his lyre and turns Marsyas into a river.

HISTORY

The Istanbul Archaeological Museums, inherited by the Republic of Turkey from the Ottoman Empire, is hosting the outcomes of the first activities in the field of museum works. In fact, in the Ottoman era, traces of the interest in collecting historical artifacts goes back to the era of Sultan Mehmed II the Conqueror.

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IMPERIAL MUSEUM

However, the first regular museum works appeared when the Istanbul Archaeological Museums was founded in 1869 as the Imperial Museum (Müze-i Hümayun). The Imperial Museum, which consisted of archaeological artifacts collected until then and exhibited in the Hagia Irene (Aya İrini) church, laid the foundations of the Istanbul Archaeological Museums. Saffet Pasha, then Minister of Education, was closely interested in the museum and acted personally to expand its collections. Additionally, he made Edward Goold, a teacher of English origin in the Galatasaray High School (Galatasaray Lisesi), to be appointed as the director of the museum.

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TILED KIOSK

After being abolished for a while, the Imperial Museum was established again in 1872 by the Minister of Education Ahmed Vefik Pasha, who appointed the German Dr. Phillip Anton Dethier as the director. As a result of the works of Dr. Dethier, the room in the Hagia Irene church became insufficient and the construction of a new building came to the agenda. Due to financial constraints, a new building could not be constructed, but the Tiled Kiosk (Çinili Köşk), built in the era of Sultan Mehmed II the Conqueror, was transformed into a museum. The Tiled Kiosk, which is currently operated by the Istanbul Archaeological Museums, was restored and opened in 1880.

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ALEXANDER SARCOPHAGUS

The appointment of Osman Hamdi Bey, the son of Grand Vizier Edhem Pasha, as the director of the museum in 1881 marked a new epoch in the history of Turkish museums. Osman Hamdi Bey led excavations in Mount Nemrut, Myrina, Kymi and other Aeolian Necropoles and in the Lagina Hekate Sanctuary, and collected the artifacts from these sites in the museum. In 1887-1888, he found the Royal Necropolis in Sidon, Lebanon, and he returned with many sarcophagi, including the famous Sarcophagus of Alexander the Great, to Istanbul.

The oldest building in the complex of Istanbul Archaeological Museums is the Tiled Kiosk. The Tiled Kiosk Museum, where samples of Turkish tile and ceramic works are exhibited today, is the oldest civilian architectural work in Istanbul commissioned by Sultan Mehmed II the Conqueror. The influence of Seljuk architecture is apparent. According to the tile inscription above the gate, the pavilion was built in 1472 AD, but its architect is unknown.

The two other buildings that were constructed later are close to the Tiled Kiosk. One of them is the building constructed as the first Academy of Fine Arts in the Ottoman Empire and re-designed later as the Ancient Orient Museum.
The building, which is hosting the Ancient Orient Collection today, was constructed in 1883 by the order of Osman Hamdi Bey as the School of Fine Arts (Sanayi-i Nefise Mektebi), i.e. the Academy of Fine Arts. This was the first school of fine arts opened in the Ottoman Empire and it laid the foundations of today’s Mimar Sinan University of Fine Arts. The architect of the building was Alexander Vallaury, who built later the classical building of the Istanbul Archaeological Museums. In 1917, the academy moved to another building in the Cağaloğlu neighborhood and the building was assigned to the directorate of museums.

Halil Edhem Bey, the then director of the museum, thought that it was more appropriate to exhibit the artifacts from the ancient cultures of the Near Eastern countries and Greek, Roman and Byzantine artifacts separately, and this building was arranged as the Ancient Orient Museum. The German expert Eckhard Unger, who was invited to lead this transformation, worked in Istanbul in 1917-1919 and 1932-1933, gave the final shape to the museum and made several publications on the artifacts.The museum building was emptied during the World War II for purposes of defense and re-organized later by Osman Sümer in compliance with the principles of Unger. After an extensive restructuring that started in 1963, the museum was re-opened in 1974. The Ancient Orient Museum, which underwent maintenance and repairs in 1999-2000, obtained its current shape on September 8, 2000.On the other hand, the Archaeological Museum is one of the few buildings in the world constructed as a museum building.

The Archaeological Museum, one of the most beautiful and glorious examples of the neo-classical architecture in Istanbul, has a very spectacular architecture especially due to its gorgeous façade. With the two entrances on the long façade, which are reached through wide stairs, and each of which is decorated with four columns and a pediment, it appears like a temple. The kufic inscription on the pediment in Ottoman Turkish says ‘Asar-ı Atika Müzesi’ (Ancient Artifacts Museum). The tughra (calligraphic seal) above this script belongs to the Ottoman Sultan Abdülhamid II, who ordered the construction of the Old Building.

A new museum building was needed in order to display the glorious artifacts such as the Alexander Sarcophagus, the Sarcophagus of the Crying Women, the Lycian Sarcophagus and the Sarcophagus of Tabnit brought to Istanbul after the Royal Necropolis excavations in Sidon, Lebanon led by Osman Hamdi Bey in 1887 and 1888. The Istanbul Archaeological Museum, which was built against the Tiled Kiosk by the then famous architect Alexander Vallaury on the request of Osman Hamdi Bey, was opened to visits on June 13, 1891. This day is still celebrated as the Museum Day in our country.

Today’s main museum building took its final shape after the addition of the northern and the southern wings in 1903 and 1907 respectively.Due to the need for new exhibition halls, a new building adjacent to the southeastern side of the main museum building was constructed between 1969 and 1983 and this section was named the Additional Building (new building).

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Sanliurfa, Turkey

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In South Eastern Anatolian region, lies the venerably old towns of Urfa (Sanliurfa). According to both the  Bible and Quran it is the birthplace of Abraham before his migration to Canaan, now Palestine.

Local Muslim legend differs from that of the other great monotheistic faiths by the intervention of one vicious and cruel King Nimrod, who had Abraham launched from a catapult from the city’s citadel to fall into a pile of burning wood.

Happily, God intervened, and turned the fire to water and the faggots to fish, and today, the visitor to the town can visit the mosque complex surrounding Abraham’s Cave and The Pool of Sacred Fish (Balikligöl) around it.

The cruel ruler’s giant slingshot is represented by two Corinthian columns still standing atop the citadel.

This is an Anatolian city which has figured in all the religions of the book. Old Testament prophets such as Jethro (Hz. Suayp), Job (Hz. Eyup), Elijah (Hz. Elyasa) and Abraham (Hz. Ibrahim) lived in this city, which in ancient times known as Edessa, and Moses (Hz. Musa) lived in the region for seven years working as a shepherd before returning to Egypt with his staff.

It was in Sanliurfa that early Christians were first permitted to worship freely, and where the first churches were constructed openly. Pagan temples were converted to synagogues, synagogues to churches and churches to mosques, resulting in a uniquely eclectic architecture.

The city’s history, is far more complex than mere legendary myths. Known to the ancient Greeks as Orrhoe or Osrhoe, the famous Seleucus Nicator of Antioch, first established the capital of his eastern Hellenistic realm here, populating it with Macedonian veterans who preferred to call it Edessa, after their native province.

Urfa remained an important garrison town into Roman times, and was one of the first centers of the early church, but one given over to the monophysite heresy.

It was at Edessa that the great scientific works of late antiquity were translated, with commentaries, into Syriac/Aramaic, from whence they made their way into Arabic after the Muslim conquest, only to find their way back to the west following the re-conquest of the city by the Byzantines and then the Crusaders.

Under Baldwin I it became the first of several Crusader states in the Middle East. The city was finally sacked by the Kurdish Zengi dynasty in 1146. Following the standard Mongol conquest of the Middle East, ancient Edessa disappeared from history in the 13th century, reemerging only in the present century.

Thanks for its survival should go to the local population who brilliantly resisted French attempts to include it in greater Syria during Ottoman period. Like many of the other towns which offered resistance at the time of War of Liberation, Urfa has received the honorific “Sanli” (Honored) to append to its name.

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Sanliurfa, Turkey Photos, Turkey Travel

Today, Urfa is a surprising mix of the old and new, with Turkish, Arab and Kurdish peasants who come from the countryside haggling in the traditional bazaar, while young technocrats and engineers hustle between offices and shops lining the modern downtown section.

A city of some 1,523,000 (as of 2007), Urfa is earmarked to be one of Turkey’s largest metropolitan areas after the nearby Ataturk Dam 75 km (50 mi) north of town came on-stream in the 1990s, and has the highest growth rate of population in the 2000s (1,000,000 in 1990).

Already the city has the single highest growth rate in the country, with many indigent farmers and absentee landlords from the nearby Harran plain returning with the promise of making the city the center of Turkey’s new Fertile Crescent.

Restaurants are packed with locals and foreigners dining on the famed Urfa kebab of Turkish Cuisine and other delights of the area.

The province of Urfa covers the plateau which connects Anatolian peninsula to the Arabian peninsula and has a surface area of 18,584 square kilometers. Its population as the beginning of 2008 is 1,523,099.

The province has 10 districts (Akcakale, Birecik, Bozova, Ceylanpinar, Halfeti, Harran, Hilvan, Siverek, Suruc and Viransehir) and 772 villages (köy in Turkish).

The economy of the province depends upon agriculture and animal husbandry. Its cultivable land is used mostly to grow cereals. Wheat is the main crop followed by barley and lentil. There is also chickpea farming and pistachio culture.

Its industrial crops are cotton and sesame. Upon the completion of GAP, weight will be given to textiles and dress making. Also, the number and capacity of enterprises producing feed and vegetable oil will be enhanced to meet demands from domestic and external markets.

Sanliurfa Fortress is on the northern slope of  Damlacik mountain to the south of the city. The citadel built by the Romans was later enlarged. The citadel has 25 watchtowers. It has remains from the Byzantine and Islamic times.

The walls were built in 812 AD by the Christians to defend the city against Arab raids. The outer fortress was enlarged and restored by the Crusaders. The palaces of Molla, Gezer Pasha and Mehmet Pasha known to exist between the citadel and the outer fortress could not survive to our times.

Tek Tek mountains are located about 45 km east of the city to the direction of Viransehir. The area became a national park in 2007 and has several caves and ancient sites to visit.

At a distance of 73 kilometers to Sanliurfa, there is Sogmatar ancient city which is known as “Yagmurlu” today. It was settled by the Syriac in the first and second centuries AD.

Sogmatar was the culture centre of Sabiism which had its origin in Harran Sin culture and Marilaha the supreme god. Important remains include an open air temple where planets and the supreme god were worshipped and sacrifices were made.

Walls of the temple have inscriptions in Syriac and relief describing planets. These also exist on the surface of rocks standing on a hill to the west of the fortress.

The city of Suayb consists of historical ruins standing in Ozkent village at a distance of 88 kilometers to Sanliurfa. Extending over a large area, the city dates back to the time of the Romans and once surrounded by walls.

People believe that the holy Suayb lived here. There is also a cave visited by people as the quarters of Suayb.

Nevali Cori ancient settlement is near Kantara village of Hilvan, on the right bank of the Euphrates (Firat) river. The remains are located on a calcareous hill and cover an area 100 meters long and 50 meters wide, bordered by two brooks.

The ancient settlement reflects the historical period in which settled life was starting and people were hunting while they tried to domesticate plants and animals. Existence of many stone structures that could have been used as storage, cult structure and pieces of art all indicate that Nevali Cori used to be a central settlement of these times.

Lately, one of the most important archaeological sites nearby Urfa is Gobeklitepe which changed everything we knew about the Stone Age people.

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Turkey, Sanliurfa, Ancient Cities

The settlement of Kazane (Ugurcuk) near Sanliurfa has a history dating back to 5000-3000 BC. To put it more correctly, findings belong to the Calcolitic age which correspond to these dates.

The excavation of the tumulus was conducted in 1992 by a team headed by Adnan Misir, the Director of the Museum. The excavation work was financed by voluntary organizations from US and participated by Dr. Patrick Wattenmarker from the University of Pennsylvania.

Excavations revealed architectural pieces, houses, streets and other articles which are exhibited at the museum. There is a water storage at the top of the tumulus. Another finding is an alphabet which translates the Sumerian language into Akad language. This alphabet was purchased from a farmer and it is now in Ankara.

International Herald Tribune spared a wide space to Kazana in its issue dated 11 November 1993. In his article John Noble Wilford wrote: ” The ancient city recently explored in Turkey and interesting clay tablets carries the origin of ancient civilizations and script far beyond the Sumerian city states of Southern Mesopotamia.

Archaeologists state that these explorations were the most exciting of all those taking place in Mesopotamia and they are quite confident that new excavations to be conducted in the same area will answer one of the most important puzzles of the science of archaeology”.

Harran
South of Urfa, the landscape once more flattens into the Mesopotamian plain, broken only by the ancient mounds and obscure, mud brick villages. All of the villages are connected to electrical grids, and, with the prospect of greater wealth thanks to irrigation, many locals are investing in such “luxury” objects as refrigerators and televisions.

Here lies a part of  Turkey experiencing extremely rapid change, especially as it was formerly one of  the poorest and least developed of any area in the country.

Some nine miles (15 km) off the main tarmac road leading to Syria, turn left and ask for Sultantepe, apparently a major site in ancient Carrhae, where tablets inscribed with the legends of Gilgameth (Gilgamis) have been unearthed.

Farther down the dirt road are the ruins of Sumurtar, a large mound with a labyrinth of passages and underground chambers used by the Sabians, worshippers of the sun, moon and planets.

The grottos were clearly used for ceremonial purposes; some seem to have been later converted into subterranean mosques replete with mihrab facing the direction of Mecca.

Back toward the main road is the village of Harran itself, with its beehive-like dwellings. Here was the site of the Temple of Sin (known also as the first university), famous throughout the ancient world for its star readers and savants.

It was in Harran where Rebecca drew water for Jacob, from whence Abraham decided to make his move into the land of Canaan. This was also where the Roman Emperor Crassus was defeated by the Parthians, with the Legion standards captured and brought back to Ctesiphon to the undying shame of the Romans; Crassus himself reportedly died by having liquid gold poured down his mouth.

Later, the Emperor Julian the Apostate worshipped the moon here on the way to his fateful encounter with Shapur I farther east. Harran was also the last hold out of the Sabians, the pagans who had managed to survive through to the 11th century.

Standing atop the ruins of the ancient citadel, one overlooks the scattered bits of rock and material – history stretching back to the very dawn of time: the very potsherds crunching underfoot have an immediacy here, the broken vessels having surely been used by some long forgotten ancestor from the land of Ur, an acquaintance of Abraham, or a Roman legionnaire from Gaul, whose memory now swirls with the dust devils across the oblate horizon.

Traditions of  Sanliurfa

Sanliurfa is a city of  ancient traditions, old friendships and mystical associations. One of  these traditions is gatherings known as ‘Sira Geceleri’, which bring together people sharing the same pleasures, world views and ideas.

The friendships formed there are even stronger than the ties between old school or army friends. Such gatherings take place in one another’s houses or in rooms hired for the occasion.

The name means literally ‘nights by turns’, since the members of the group take it in turns to host these events, which have a ceremonial character and are based on a sense of fraternity.

When the French occupied Sanliurfa after the First World War, the seeds of resistance were supposedly sown at sira geceleri held by the Group of 12, consisting of members of such leading families of the city as the Bozanogullari and Gullulogullari.

Other traditional activities such as country excursions take place in a similar communal spirit of friendship, with each family contributing different and special home cooked dishes from the famous regional cuisine.

Many more customs and traditions make up the rich cultural fabric of the city. In no other Turkish city today do shopkeepers begin the day with a communal prayer wishing their neighbors a prosperous day’s trading as they did for centuries, but in Sanliurfa this tradition is still kept alive by the tradesmen of the carpet bedesten (exchange) in Sipahi Pazari.

This ancient ceremony and religious ritual in the colorful surroundings of the bedesten is a moving sight.

Tattoos

A tradition taken over from the past, tattoos are common in Harran and Suruc. It is an art of ornamenting human face and skin mainly for bringing luck to small children.

Most common figures include animals of wild life, daily life articles, weapons and numerical figures. The paint used for tattooing is obtained from plants and applied under the skin with needles.

Paint is used abundantly to prevent disappearance as one ages. As cultures open themselves to the outer world, these kinds of traditions gradually disappear. For example, men give up having tattoos.

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Sanliurfa, Turkey Culture, Turkey Cities, Turkey Cuisine, Ancient Turkey Photos, Ottoman Cuisine

Nomads
Some of the nomadic tribes are those coming to the region from other places. These tribes spend their summer on the highlands of Eastern Anatolia and come down to the GAP region in winter.

Once used to move on foot or on horseback, these tribes now use motor vehicles. Some tribes living in Karacadag area lead a nomadic life because of natural conditions. They go up to Karacadag in summer and move down to the plains of Siverek, Viransehir, Sanliurfa and Diyarbakir in winter.

Bazaars of Sanliurfa
The old trading centre of Sanliurfa dating back to Ottoman times concentrate around Gumruk Inn. Kazzaz Bazaar which was build in 1562 is one of the few which could preserve its authentic values.

Inside the bazaar, shops one meter (three feet) high from the ground are located on both sides of the inner passage. The Kazzaz shopkeepers sell local male and female dresses.

Sipahi bazaar also preserves its identity and sells such goods as carpet, kilims and felt. Huseyniye bazaars each of which are covered by 15 cross vaults have been allocated to the coppersmith.

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Turkey Bazaar, Sanliurfa, Wonders Of Turkey, Turkey Museums, Turkey Map

Handicrafts in Sanliurfa
Felt making, tannery, stone working, weaving, woodworks, copper works, saddle making, fur making and jewelry works are the leading handicrafts of Sanliurfa enjoying a long tradition.

Felt making is being practiced for centuries now in the bazaar known by the same name. It has various styles of embroidery including acem, dal, pul, gobek, somun, kantarma, armut and sandik.

What is locally called as kurk (fur) is a loose straight collar over cloth made of the skin of sheep dying earlier than a month.

There is no other place in Anatolia engaged in such work. Having a long history, this specific activity takes place in Kurkcu Bazaar.

In Sanliurfa, the products of culhacilik (weaving) include yamsah (female head scarf), posu (male head scarf) and ihram (female over cloth) made by using wool, cotton or silk yarns. Practiced in many looms 30-40 years ago, the trade has now lost its importance leaving behind only 5-6 artisans.

Kazzazlik means hand spinning of silk thread. Similar to culhacilik, this art is now carried on by few masters.

Kelaynak (Bold ibis) Birds
These birds are on the verge of extinction and can bee seen only in the Birecik District of Sanliurfa. Coming from the Ibidae family, these birds are given the prefix “bold” for their featherless heads and necks.

Also visible in Morocco and Algeria, kelaynak birds fly to Ethiopia and Madagascar in winter and return to Birecik starting from mid-February. They nest in rocks and mate here to leave in mid-July. Since 1984, an annual festival takes place each year on 12 April for these birds.

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Sanliurfa Turkey, Tourist Destinations, Heritage Photos, Turkey Mythology, Myth

SANLIURFA FISH LAKE LEGEND

Described in the legend of the most special place in Urfa, which has undoubtedly Hz. The story of Abraham cast into the fire. Islam, Judaism and Christianity are the three monotheist religions and the religions recognized by the Holy Prophet mentioned in the book.

Is claimed that Abraham was born in Urfa. This is the story of the birth of King Nimrod of the region with the Prophet. Abraham passes between.

According to legend the king in the stars and the idolatry of a man he will fight to see a sign of foreboding.

This man Hz. Abraham is. Nimrod’s idolatry not only in the uprising but also to the daughter Zeliha has grabbed the hearts.

In this case, the Prophet against the king. Abraham is ordered to be burned. Today, the location of Fish Lake can be seen all over the city’s size is a fire.

Built against the hill to the fire that falls between two massive columns with catapults Abraham is thrown into the fire. Fire wood, but the fish turns into a lake.

That day is here today, the lake is considered sacred. Just like the fish in the lake is also sacred, each of whom place the fish if it is believed to be blind. Since then, the lake is the name of Halil-ur Rahman. “He’s friendly,” meaning the name Prophet.

Reflects the sanctity of Abraham. Today, Fish Lake and Lake Halil-ur Rahman is known as both. Nimrod’s daughter Zeliha weeping for Abraham’s tears than the Fish Lake comprises of a small lake next to the name of this lake, “Zeliha’s eye”, meaning “same-Zeliha” is. Today, both across the lake on the hill is believed to have been used as a catapult two columns still standing.

According to beliefs at the bottom of this column is one of “endless water” at the bottom of one of the “unending gold” is found in one wash and one down below is Urfa Urfa is as valuable as gold to be buried in the city of water.

By the side of the lake and fish the founder of the Ayyubid dynasty States Eyyubi’nin nephew of Salaheddin by Malik Ashraf Khalil-ur Rahman, the mosque was built in 1211 that the lake’s natural beauty adds to the architectural aesthetics.

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